making their own moves. a tumultuous year in rugby union began with the six nations. murrayfield in february a chilling prospect. and scotland spring to life! rugby to warm scottish hearts. a victory over the old enemy. and murrayfield erupts in celebration! fireworks too, in cardiff. astonishingly, the celebrations were italian. what a moment of brilliance! what a try! after seven years without a win in the tournament, it was just a little overdue. and that s what it means for the italians! although just a side show. the long wait for a title will end tonight in paris. ..france, were this year s headline act. and it s antoine dupont for the try! france are crowned six nations champions again. england s women had their eyes on a rather larger prize a world cup to come this year. still, this was a perfect warm up. england are the grand slam champions. warming up in beijing? well, perhaps not everyone, but this was about the snow and the ice. welcome to the olympic winter g
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
if it s absolutely necessary. david. and in that phrase, if it s absolutely necessary, is kind of the nub of it. we re told the boy is he s a nobody. he s a villager from far away. no one knows who he is, but of course he isn t. he has a father who then arrives at the villa and says, you must pay reparations by travelling with me to my home to bury the boy. ralph fiennes s character says, we re not going with him. i don t know who he is. you know, maybe they want money or maybe worse. but then the film kind of bifurcates between, on the one hand, the villa where all this debauched revelry is going on, and on the other hand, the journey of his character. this is directed by john michael mcdonagh. i think it has very good performances, not least by ismael kanater, who plays the father of the boy driss, who when you first meet him, he s very sort of hard to read, but as the drama goes on, says an awful lot often not with words, but through expressions. i think it s w
or prince charles thinks about things. i or prince charles thinks about things, i am unsure what the reality is. , , , ., is. the papers will still go with it. i am sure is. the papers will still go with it. i am sure we is. the papers will still go with it. i am sure we will is. the papers will still go with it. i am sure we will read - is. the papers will still go with | it. i am sure we will read about what they have been up to. thank you very much, that is eight for the papers tonight. the papers will be back tomorrow evening when we will know who the new tory leader and prime minister in waiting will be. jenny kleeman and natasha clark will be having a look through them, do join us then, but if you can, from now, from me, good night. hello, and a very warm welcome to the film review on bbc news. i mjane hill, and back with us after a summer break, mark kermode, good to see you again. nice to see you again. so, interesting week. we have the forgiven with ralph fienn