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English National Ballet: Reunion review – rubber-band bodies and a rush of energy

Last modified on Wed 19 May 2021 05.58 EDT When the announcement telling you to switch off your phone is drowned out by whooping and cheering, you know audiences are glad to be back in the theatre. English National Ballet wastes no time getting on stage, converting five films made in lockdown into live dance. The works are familiar from their digital form, but live you notice different qualities and details. Yuri Possokhov’s Senseless Kindness loses its atmospheric cinematography but gains from the the ability to follow his long, lyrical phrases in full, performed with great sensitivity by a quartet of dancers (Isaac Hernández, Alison McWhinney, Francesco Gabriele Frola, Emma Hawes) attuned to each other in perfect unity.

Reunion, Sadler s Wells, review: a flashy return for the English National Ballet

Reunion, Sadler s Wells, review: a flashy return for the English National Ballet
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