If you have your hopes up to see the
Ana de Armas‘
Netflix has bumped
Blonde to 2022. Variety broke the story but didn’t give a reason for the push. Judging by Netflix’s slate for the upcoming season, it’s very possible they just had too many awards-worthy movies (including new films from Jane Campion and Adam McKay) and they didn’t want to compete with themselves.
Directed by
Andrew Dominik,
Blonde doesn’t sound like it’s shaping up to be a standard award-bait biography.
Dominik has spoken about how the film will have very little dialogue and, if you’ve seen
Army Of The Dead 2 Will Reportedly Feature More Zombie Animals wegotthiscovered.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from wegotthiscovered.com Daily Mail and Mail on Sunday newspapers.
Dave Bautista Reportedly Returning For Army Of The Dead 2
Like any self-respecting zombie movie, Zack Snyder’s
Army of the Dead boasts a sprawling and eclectic ensemble cast that numbers into double figures, only for the mismatched crew of thieves and mercenaries to see their numbers slowly whittled down as they execute a daring heist on a Las Vegas casino after the entire city has been walled in and quarantined due to a zombie infestation.
Dave Bautista, Ella Purnell, Omari Hardwick, Theo Rossi, Ana de la Reguera, Matthias Schweighöfer, Nora Amezeder, Garrett Dillahunt, Tig Notaro, Raúl Castillo and Samantha Win all go in, but technically only one of them makes it out. Bautista’s Scott Ward, Purnell’s Kate Ward and Notaro’s sarcastic pilot Marianne Peters initially escape, but a nuclear explosion causes a helicopter crash just as they’ve completed their mission.
Army Of The Dead Review
Summary:
Netflix and Zack Snyder s Army of the Dead is a big, bad, bonkers and incredibly violent delight of a zombie movie.
For better or worse, Netflix’s
Army of the Dead is Zack Snyder in his purest form. He may have carved out the early years of the DCEU in his own image, with
Man of Steel,
Batman v Superman: Dawn of Justice and HBO Max’s
His superhero epics were overlong, often ponderous and a little too self-serious for their own good, as if he was battling against his own instincts on whether to paint them as tragedies of gods and men inspired by ancient mythology, or deliver the more straightforward crowd-pleasing superhero blockbusters that the studio clearly wanted all along.