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Would you live in a cave? These architects believe we should

Would you live in a cave? These architects believe we should
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Would you live in a cave? These architects believe we should

Would you live in a cave? These architects believe we should
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Wound of the incarceration extends : remembering the Japanese American internment | Art

A new exhibition, tied to the 80th anniversary of the mass incarceration of more than 120,000 people, brings together a collection of impactful pieces

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The Life and Work of the Japanese-American Sculptor Isamu Noguchi

Alongside a photographic essay of his sculpture at his eponymous New York museum, the acclaimed novelist Katie Kitamura breathes life into his legacy through 12 fragments, encapsulating the artist’s humane essence

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Noguchi lobby installation is carted away from its high-rise New York home, across the street from MoMA

The lobby of 666 Fifth Avenue in 1957 with Isamu Noguchi’s ceiling in its original state. Photo: Alexandre Georges; ©Isamu Noguchi Foundation and Garden Museum/ARS Described by Isamu Noguchi as “a landscape of clouds”, a 1957 installation by the artist in the New York skyscraper 666 Fifth Avenue has been removed from the building at the insistence of a real estate developer, the Isamu Noguchi Foundation and Garden Museum in Queens announced today. The museum is now exploring how it might be relocated in a public space. The site-specific design by the Japanese-American sculptor consists of a ceiling of backlit steel and aluminium blades in twin lobbies and a wall of vertical blades down which water once cascaded in an adjoining passage. The Noguchi museum had advocated for the installation,

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