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Tucson Weekly: Arts Round-Up (December 31 - January 7, 1998)

The Best And Worst Of The Local Arts Scene In 1997. By Margaret Regan ONE OF THE best moments in the whole art year took place in its earliest weeks. Liz Lerman s Dance Exchange had come to town in January, and worked intensively with local groups to incorporate them into a professional performance at Centennial Hall. After weeks of rehearsals, old Mexican-American women from El Rio Neighborhood Center, Jewish mothers and children from the Hebrew Academy, gay activists and even Ken Foster, head of UApresents, joined Lerman s troupe onstage for Still Crossing, a dance about immigration and nationhood. It was a performance at once solemn and joyful. Its best moment,

Tucson Weekly: Sumptuous Sights (October 9 - October 15, 1997)

Three Artists Display Their Latest Works At Etherton Gallery By Margaret Regan HYPED-UP COLOR saturates every work in Etherton Gallery s sumptuous opening show of the season. Gail Marcus-Orlen, a popular local artist, paints surrealistic interiors in her familiar turquoises, yellows and purples, ratcheting up the hues of her drifting walls and unloosed easy chairs to the intensity of neon. On the opposite wall, photographer Christopher Burkett plumbs the brilliant unnatural colors of the natural world. His astonishingly detailed large-format Cibachrome prints vibrate with the screeching reds of the autumn maple, the strident purples of blueberry fields at sunrise. Tucked away in the tiny front gallery, local painter Owen Williams

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