Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit the debut album from a trio that split from the Specials to forge a mischievous and mysterious electro-pop sound haunted by the racist violence entrenched in British history.
Album reviews: Art Feynman, New Order, Kirsty MacColl, more
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Music icon Neville Staple to celebrate glittering career at Coventry gig
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