I was riding up the elevator in the Whitney Museum’s Marcel Breuer building in the spring of 1977, “minding my own business” as it were, and unaware of a forthcoming shock, when the large elevator doors opened. I was stunned and thrown backwards by a John Cage-type experience of nothing. At first, I timidly stood still, but then with the danger of a closing elevator door, I stepped out onto the fourth floor of the museum where I encountered Scrim veil—Black rectangle—Natural light, Whitney Museum of American Art, New York (1977) by Robert Irwin.
My Life As A Jillposter : The Radical Feminist Poster Group That Pasted Prints Around Melbourne In The 80S menafn.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from menafn.com Daily Mail and Mail on Sunday newspapers.
We had no government funding, no governing structure and no workshop. Yet we produced a huge range of political posters, many of which are now in national collections and have been exhibited often.