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Finding That Free Lunch (Apr 7th 2009) For creators, these are excellent possibilities.  But there s a saying at magazines, upon getting a submission from a big name author.  It appears I didn t want that author after all, I wanted their editor.   Yet how many editors can show up at a signing event and sell autographs?  Heck, anyone even know the name of Steven King s editor? Editor s don t own their works.  Editor s don t profit directly from a bestseller.  They don t get residuals or royalties.  They don t get money from options for the screenplay.  Editors often don t get a byline.  So how do you pay people to ensure that good writing, spewing mightily from the natural savant s pen, is made great?

Steven kingMike masnickWith fansStories from the music commerce frontierFree economicsCreativity and commerceBlurry line between creativity and ownershipThat free lunchScience amp societyஸ்டீவன் கிங்உடன் ரசிகர்கள்கதைகள் இருந்து தி இசை வர்த்தகம் எல்லைஇலவசம் பொருளாதாரம்படைப்பாற்றல் மற்றும் வர்த்தகம்அந்த இலவசம் மதிய உணவுஅறிவியல் ஆம்ப் சமூகம்