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The convergence of insanity and creativity has long been a fascinating source for fiction. So many of our most interesting creative voices have dealt with mental illness (certainly a subject in open discussion right now with the recent passing of Robin Williams), and, while Lenny Abrahamson’s “Frank” has been billed as a wacky comedy about a guy with a fake head (which it partially is), it’s also a dissection of this intersection, driven by a remarkably physical performance by Michael Fassbender. Can you be both creatively brilliant and normal? Can you be mentally damaged and creative within that shattered worldview? And these questions aren’t overly highlighted or

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