she said she didn t want the people to believe they were the same person. they were two sides of the same person. when she read the novella, she felt it was saying things about being a woman, being a mother, being a professional that had not been set out loud before. and she loved the idea of making it into a conversation. i think there s an awful lot of films of francoise ozon, the idea that there is a surface, but beneath the surface, there are secrets waiting to be revealed. there s a real sense of dread in it. i know a couple of people who ve seen it who saw, as far as i can tell, a completely different film to me. they read it in a completely different way. interesting! great performance by olivia coleman, really well directed by maggie gyllenhaal, who not only is a great writer
of films of francoise ozon, the idea that there is a surface, but beneath the surface, there are secrets waiting to be revealed. there s a real sense of dread in it. i know a couple of people who ve seen it who saw, as far as i can tell, a completely different film to me. they read it in a completely different way. interesting! great performance by olivia coleman, really well directed by maggie gyllenhaal, who not only is a great writer and actor and director, but can also play the ferry man. the theramin! in the most complicated. i think this is really fascinating. i think it s terrific. it s into the enemas now and it s on netflix from the 31st of december. i think everyone will bring their own film to the film. really intrigued. i want to know what you think about it. but i think you ll like it. i love maggie gyllenhaal as an actress so i m interested and what she does behind the camera. she s great. the tender bar. directed by george clooney from a pulitzer prizewinner. i wasn t fa
and she loved the idea of making it into a conversation. i think there s an awful lot of films of francoise ozon, the idea that there is a surface, but beneath the surface, there are secrets waiting to be revealed. there s a real sense of dread in it. i know a couple of people who ve seen it who saw, as far as i can tell, a completely different film to me. they read it in a completely different way. interesting! great performance by olivia coleman, really well directed by maggie gyllenhaal, who not only is a great writer and actor and director, but can also play the theramin! one of the most complicated instruments. i think this is really fascinating. i think it s terrific. it s into the enemas now and it s on netflix from the 31st of december. i think everyone will bring their own film to the film. really intrigued. i want to know what you think about it.
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WORDS Ella Jane PHOTOGRAPHY via IMDb PUBLISHED Wed, 10 Mar 2021
Considering that at this point, most of us live in deep caves of the internet and succumb to some truly sombre pop-culture-fuelled watches (AKA Emily in Paris) in an attempt to stay amongst the zeitgeist, carving out time to indulge in arthouse films can be a rare occasion, one that we need to do more of. If not for ourselves, for the culture that is morphing into an unrecognisable beast at warp speed.
Of course, indulging in trash television is part of the way we live, and settling into a three-hour-long subtitled dissection of how deeply we can feel is not always what sounds most relaxing, but in the instance you re feeling as though it s time to dive into the latter, these are our top picks for the arthouse films we re looking forward to indulging in.