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Goodbye censorship, now is the age of auto-classification - Industry Report: Market Trends

Goodbye censorship, now is the age of “auto-classification” A new commission will evaluate the correct classification of works by producers or distributors based on the four sections outlined in the 2016 Cinema Law of Italy Totò che visse due volte, by Daniele Ciprì and Franco Maresco, the last relevant case of censorship of an Italian film Many have wondered what the abolition of cinematographic censorship, announced by the Minister of Culture, Dario Franceschini, really means, after his signature of the decree establishing the Commission for the classification of cinematographic works, whose task is to verify the correct classification of cinematographic works by operators.

Goodbye censorship, now is the age of auto-classification

Goodbye censorship, now is the age of “auto-classification” 08/04/2021 - A new commission will evaluate the correct classification of works by producers or distributors based on the four sections outlined in the 2016 Cinema Law of Italy Totò che visse due volte, by Daniele Ciprì and Franco Maresco, the last relevant case of censorship of an Italian film Many have wondered what the abolition of cinematographic censorship, announced by the Minister of Culture, Dario Franceschini, really means, after his signature of the decree establishing the Commission for the classification of cinematographic works, whose task is to verify the correct classification of cinematographic works by operators.

Goodbye censorship, now is the age of auto-classification

Goodbye censorship, now is the age of auto-classification
cineuropa.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineuropa.org Daily Mail and Mail on Sunday newspapers.

Italy Abolishes Film Censorship, Ending Government Power to Ban Movies

Italy Abolishes Film Censorship, Ending Government Power to Ban Movies Nick Vivarelli, provided by FacebookTwitterEmail Italy has officially abolished film censorship by scrapping legislation that since 1913 has allowed the government to censor scenes and ban movies such as, most famously, Pier Paolo Pasolini’s “Salò or the 120 Days of Sodom” and Bernardo Bertolucci’s “Last Tango in Paris.” The move which is symbolically important, though censorship is de-facto no longer practiced definitively does away with “the system of controls and interventions that still allowed the Italian state to intervene on the freedom of artists,” said Culture Minister Dario Franceschini who late Monday announced a new decree ending the government’s powers to censor cinema. 

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