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Apollo. Preview and subscribe here. Francisco de Goya has been cast in many roles: the liberal thinker satirising the monarchy; the court painter bent on self-promotion; the proto-modernist rebelling against the academy; the deaf madman daubing the walls of his country estate with ghoulish fantasies. In Goya: A Portrait of the Artist, Janis Tomlinson sets out to write a biography without embellishment or romanticisation. For this she turned not to the artworks, as almost every previous biographer has done, but to the archive, compiling all known documents – letters, invoices, wills etc. – concerning Goya’s movements and using them as points on a map to guide us through his complex life. Tomlinson acknowledges the difficulties of this approach in her introduction: ‘Having written a first draft […] I realised that without going further, the book did no more justice to Goya than a curriculum vitae does for any individual.’ The version that made it to the printers is noth

Coahuila de zaragozaBaja californiaDel pilarJanis tomlinsonFrancisco bayeuRobert hughesRegina martyrumDel pilarAlamy stockMuseo del pradoBlack paintingsகோஅுலா டி ஸாரகோஸபஜா கலிஃபோர்னியாஎல் பைலர்ஜேநிஸ் டாம்லின்சன்ராபர்ட் ஹக்ஸ்