A year has passed since the first joint exhibition by Francesca Attard and Mark Muscat, titled The Way to Realism in which they successfully explored the genre
Treasures of Malta,
Fondazzjoni Patrimonju Malti
It had to be something like the latest issue of Treasures of Malta to provide a most welcome modicum of cheer in these bleak times, not least with its striking cover of a detail from a 16th-century frescoed map of Malta hailing the 1565 victory over the Ottomans. It lies in the Hall of Maps at the Vatican, one among several showing the lands over which the pope held authority. In 1732, Louis XV gifted Grand Master Manoel de Vilhena with a fine portrait of himself by Jean Baptiste van Loo. Van Loo took over the commission from the famous portrait painter Hyacinthe Regnaud and managed to paint a most competent work of art, which is one the highlights of the President’s Palace but “which has failed to be given its due academic importance”. Carlos Bongalais’s paper supplies the background to this painting, which has tended to be overlooked in the palace’s collection.
An exhibition about to open at the Casino Notabile in Rabat features the works of two young artists, who despite a 20-year age gap, converse in the same artistic language as their art conceptually complements one another’s.
Mark Muscat with his painting Il-Frontispizju tal-Knisja tan-Naxxar
In The Way to Realism, Mark Muscat explores the architecture of our country, while Francesca Attard shows a considerable sensitivity in portraiture.
Both artists are hyperrealists and demonstrate a superb technical dexterity. They excel in making the real more real by bringing out defining characteristics to the fore and focusing on each nook and cranny, on particular idiosyncrasies, and thus empower the paintings with more narrative quality.