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Houston is undeniably back in business and arts organizations across the city are ready again to entertain you. With multiple virtual festivals and online concerts this week, there’s a lot to keep you home and happy – don’t forget, we are still in the midst of a pandemic after all.
After a brief freeze-related postponement, you can start celebrating Latinx voices and stories today, February 25, during the
4th Annual Sin Muros: A Latinx Theater Festival at Stages. The virtual festival, which will offer play readings, talkbacks and panel discussions, opens tonight with the premiere of local artist Candice D Meza s
There are those who will no doubt call “The Postman” the worst film of the year, but it s too good-hearted for that. It s goofy, yes, and pretentious, and Kevin Costner puts himself in situations that get snickers. And it s way too long. But parables like this require their makers to burn their bridges and leave common sense behind: Either they work (as “Forrest Gump” did), in which case everyone involved is a genius, or they don t in which case you shouldn t blame them for trying.
In choosing “The Postman” as his new project, however, Costner should perhaps have reflected that audiences were becoming overfamiliar with him as the eccentric loner in the wilderness who discovers an isolated community and then joins their war against evil marauders. He told that story magnificently in “Dances with Wolves” (1990) and then did another version in the futuristic fantasy “Waterworld” (1995). Now he sort of combines them, in a film that takes place in the post-Apocalyptic