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When it comes to genre films (and in this case I use the term "genre" lightly), I m a real sucker for classic noir. The ones with the cynical antihero protagonists (often hard-boiled private detectives), the simmering femme fatales, the seedy settings and even seedier side characters, the intricate crime-centered plots, the cool straight-shooting dialogue. It s a "genre" that has mostly faded into the sunset, but that (thankfully) still pops up every now and then. Case in point: Liam Neeson s new film "Marlowe"

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