obviously we don t represent mr. heuermann, he has very capable defense attorney counsel. that is something that we can t really comment on. what are your primary concerns for your clients moving forward? sure. well, i mean, in the immediate moments obviously it s their basic needs, their food, their water, their clothing, their shelter. the house was completely destroyed from the floorboards to the rafters. they lack the basic necessities. we re working together obviously with the help of the public and outpouring of support they have gotten to try to piece back the very, very basic building blocks of any human existence and that s what they need right now. of course, you know, to try to establish some sense of normalcy away from the harsh glare of the spotlight, which is not something that they asked for and they find themselves immediately under this microscope. vess, thank you for coming on and, please, you are welcome back as you have more
and all of them have reached tout me either secretly or publicly and told me how they ve been violated. things faulty contracts, people invading their privacy and never getting proper releases, or just a lot of you know, this is like mice coming out of the floorboards. there are so many more now that i opened my mouth, everyone s coming through. one last question. in terms of the challenges with this mission, unlike nurses or autoworkers, writers, actors, people tend to go on reality tv and then go back to whatever they were doing before, what they want to do. have you thought through how that could be a challenge in terms of how to sustain a union? well, you re talking just like i said about the talent, and i don t think most people go back most of these people want some level of fame and try different things. but some people do go back. and many of those people go back with big problems because they take no money to the show maybe about dating and it opens up some part of t
of it takes place in france. so, you know, it s sort of horses for courses, but i don t really like being in the studio. the uk has wonderful film studios. it s a great place to come and shoot a film if you re going to be on soundstages. i like to be on real locations. so in the case of oppenheimer, we built our exteriors of los alamos on a mesa very similar to the one. the real town is on very close by, and then we shot the interiors in the real place. and so the actors were able to tread the floorboards of the real house that oppenheimer and his wife kitty, where they live for those those three years, the manhattan project, we were able to stage the scenes in fuller lodge, which is the sort of meeting hall that they used in the real place. and i think itjust adds authenticity and texture to the film. so generally, i try to go where the film is set. so you need to set a film in the uk and then maybe we ll get you here. i mean, sitting herejust ahead of your premiere tonight
going to be on soundstages. i like to be on real locations. so in the case of oppenheimer, we built our exteriors of los alamos on a mesa very similar to the one the real town is on very close by, and then we shot the interiors in the real place. and so the actors were able to tread the floorboards of the real house that oppenheimer and his wife kitty, where they lived for those those three years, the manhattan project, we were able to stage the scenes in fuller lodge, which is the sort of meeting hall that they used in the real place. and i think itjust adds authenticity and texture to the film. so generally, i try to go where the film is set. so you need to set a film in the uk and then maybe we ll get you here. i mean, sitting herejust ahead of your premiere tonight here in london, there s a threat of actors joining the writers strike, which some people are reporting might mean that if that happens this afternoon, your actors won t turn up for the film because for the film premiere,