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Vermont Museum Leaders Reflect on the Past and Pandemic Present to Rethink the Future

Some of these old pieces still smell, Stomberg said. So there s a sensory element that s missing. What virtual offerings can do is keep people connected. In an age of isolation, that s invaluable. At Shelburne Museum, Denenberg said, We re trying to keep people distracted and engaged though he conceded that it s hard to predict which online programming will appeal to the public. Of the museum s 35 or so online offerings in the past year, a six-week virtual quilt club was its most successful. Who knew so many people were into quilting? Denenberg marveled. Connectedness has been a boon to more than the quilting crowd, though. Museums themselves are joining forces in new ways and using that combined strength to make their resources more accessible to the public.

Museum directors connect in community conversation

Artist Matt Neckers Cataclysmic View at Vermont Studio Center

Matt Neckers It goes without saying that Johnson, Vt., bears no resemblance to New York City, and its Pearl Street most certainly is not Fifth Avenue. Yet those who pass by Vermont Studio Center after dark are currently privy to a window display rivaling those of any Big Apple department store. It s a view of Matt Neckers installation Cataclysm: Familiar Robots & Their Animal Kindred through the street-facing glass wall of Red Mill Gallery. Visual arts program manager Kristen Mills keeps the lights on at night all night for the benefit of passersby. From a distance, the riotously colorful exhibition is a visual rejoinder to the deep freeze outside.

Wood Gaylor and American Modernism

Wood Gaylor and American Modernism HUNTINGTON, New York Subject Line Please provide verification code Email is invalid GAYLOR, (Samuel) Wood (American, 1883-1957) Arts Ball, 1918, 1918 Oil on canvas 27 x 45 in. (68.6 x 114.3) Private Collection Heckscher Museum On View January 23 to May 23, 2021, at The Hecksher Museum of Art Scenes of festive revelers, clowns and performers and his fellow artists are the signature subject matter of Wood Gaylor’s raucous paintings. Wood Gaylor and American Modernism includes two dozen artworks by Gaylor.  The artwork is interspersed with paintings, sculptures, and drawings from The Heckscher Museum’s collection representing artists that traveled in Gaylor’s social and artistic circles. 

Wood Gaylor, Quietly Dazzling, Helped an Art World Invent Itself

Wood Gaylor, Quietly Dazzling, Helped an Art World Invent Itself Two shows introduce a forgotten innovator who fused modernism, folk art and documentary to portray his beloved New York scene. Wood Gaylor made gregarious portrayals of New York artists of the Penguin group. In “Posters” (1920), he showed them collaborating on enormous painted posters for a Red Cross bond drive in 1918.Credit.Samuel Gaylor and The Heckscher Museum of Art Jan. 21, 2021 HUNTINGTON, N.Y. In the early decades of the 20th-century, things happened in the New York art world when painters like Walt Kuhn, Florine Stettheimer and Wood Gaylor took matters into their own hands. They established clubs and professional organizations and mounted exhibitions including the 1913 Armory Show, which jump-started American modernism with heady exposure to the European kind.

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