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One positive outcome from the distraction of art fairs has been that more artists and their dealers are working together to make gallery solo exhibitions that juxtapose new work with early work. When done with sensitivity and a good eye, these presentations often become far greater than the sum of their parts, an achievement rarely achieved in stalls that bring to mind a county fair. And when an exhibition provides the bonus of rebuilding a historical connection to its actual location, as does this focused yet sweeping exhibition of ten works by Sean Scully (nine paintings and one sculpture installed outdoors), its use-value rises.

United kingdomNew yorkUnited statesSean scullyPeter frankLos angelesSanta monicaLisson galleryCourtesy lisson galleryCourtesy lissonFinal greySecond orderFinish fetishWall landline triptychContemporary artRt critic