know his work. the oscar winning close encounters , the deer hunter , his absolutely revolutionary work on mccabe & mrs. miller , the long goodbye , deliverance. he created a whole new palette. took crazy risks. changed film language in ways that people still try to imitate. and he s making our camera crew very nervous, i can tell you. anthony: self taught yourself. you taught yourself to shoot. vilmos: basically i always tried to use my father s little kodak camera. my luck was, actually, that i became sick with some kidney disease. i was in bed for a month and an uncle of mine gave me a book about eugene lubovich, who was a great photographer. i bought the camera for myself, and started to take just amateur
anthony: vilmos zsigmond, legendary cinematographer. if, for some reason, you don t know the name, you sure as hell know his work. the oscar-winning close encounters, the deer hunter, his absolutely revolutionary work on mccabe & mrs. miller, the long goodbye, deliverance. he created a whole new palette. took crazy risks. changed film language in ways that people still try to imitate. and he s making our camera crew very nervous, i can tell you. anthony: self-taught yourself. you taught yourself to shoot. vilmos: basically i always tried to use my father s little kodak camera. my luck was, actually, that i became sick with some kidney disease.
if you don t know his name, you sure as hell know his work. the oscar-winning close encounters. the deer hunter. his absolutely evolutionary work on mccabe and mrs. miller. the long good-bye. deliverance. he created a whole new palette, took crazy risks, changed film language in ways people still try to imitate. and he s making our camera crew very nervous, i can tell you. you taught yourself to shoot. basically, i always tried to use my father s kodak camera. it s a kidney disease. i was in bed for a month and an uncle of mine gave me a book about a great photographer.
sure as hell know his work. the oscar-winning close encounters. the deer hunter. his absolutely evolutionary work on mccabe and mrs. miller. the long good-bye. deliverance. he created a whole new palette, took crazy risks, changed film language in ways people still try to imitate. and he s making our camera crew very nervous, i can tell you. you taught yourself to shoot. basically, i always tried to use my father s kodak camera. it s a kidney disease. i was in bed for a month and an uncle of mine gave me a book about a great photographer.
know his work. the oscar-winning close encounters. the deer hunter. his evolutionary work on mccabe and mrs. miller. the long good-bye. deliverance. he created a whole new palette, took crazy risks, changed film language in ways people still try to imitate. and he s making our camera crew very nervous, i can tell you. you taught yourself to shoot. basically, i always tried to use my father s kodak camera. with my luck i became sick. it s a kidney disease. i was in bed for a month and an uncle of mine gave me a book about a great photographer.