the film that you see isn t that, but it s to do with the artistic licence, and what i love about it is it s deeply personal. it sjoanna hogg making a film which is semi autobiographical. i mean, more fiction in this than there was in the first film. but terrific performances. i mean, nobody makes films likejoanna hogg. you can watch two seconds of this, and you know that this is a joanna hogg film. and i loved it. and there s something very touching about it. i know it can get criticised, people say it s achingly middle class, and some people have a problem with that, but this is about the central character coming to terms with a traumatic death of her boyfriend. yes! so, that s the fundamental thing through it, and i thought it was examined really, really cleverly. i think you should be in this chair and i should be there, and you should be doing this. because, no, that is exactly right, that is exactly what it is. and worth saying that it s a film in that thing about the middle cl
you do have to have seen the souvenir part i. it would not make any sense if you haven t seen the first one. the first one is a stand alone movie, the second is not. i thought it was great. i know exactly what you re talking about, about. you see a film being made, and then the film that you see isn t that, but it s to do with the artistic licence, and what i love about it is it s deeply personal. it sjoanna hogg making a film which is semi autobiographical. i mean, more fiction in this than there was in the first film. but terrific performances. i mean, nobody makes films likejoanna hogg. you can watch two seconds of this, and you know that this is a joanna hogg film. and i loved it. and there s something very touching about it. i know it can get criticised, people say it s achingly middle class, and some people have a problem with that, but this is about the central character coming to terms with a traumatic death of her boyfriend. yes! so, that s the fundamental thing through it, an
it would not make any sense if you haven t seen the first one. the first one is a stand alone movie, the second one is not. i thought it was great. i know exactly what you re talking about, about. you see a film being made, and then the film that you see isn t that, but it s to do with the artistic licence, and what i love about it is it s deeply personal. it sjoanna hogg making a film which is semi autobiographical i mean, more fiction in this than there was in the first film. but terrific performances. i mean, nobody makes films likejoanna hogg. you can watch two seconds of this and you know that this is a joanna hogg film. i loved it. and there s something very touching about it. it can get criticised, people say it s achingly middle class, and some people have a problem with that, but this is about the central character coming to terms with a traumatic death of her boyfriend. yes! that s the fundamental thing through it, and i thought it was examined really realy cleverly. i thin
and i loved it. and there s something very touching about it. i know it can get criticised, people say it s achingly middle class, and some people have a problem with that, but this is about the central character coming to terms with a traumatic death of her boyfriend. yes! so, that s the fundamental thing through it, and i it was examined really, really cleverly. i think you should be in this chair and i should be there, and you should be doing this. because, no, that is exactly right, that is exactly what it is. and worth saying that it s a film in that thing about the middle class it s going, these are the people, this is what they are. it s not making any apologies for them. this is what they are. and i think it s terrific. yes, really terrific. dvd? the story of film: a new generation, which is mark cousins ramble through the history of film, which has now been updated. also worth mentioning, i mentioned to bbc iplayer before, if you go to bbc iplayer, the secrets of cinema