it s the combination of the anti-semitism and the identity politics. and trying to expand the government controlled industries. in favor of taking over the rail, the broadband, the post office but this is a time where you have socialized medicine with wait times in emergency rooms at 15 year highs per that s our futu future. dana: not wanting to do a whole show on that. one other thing we want to get to come hillary clinton continues to overshadow twin 20s democrats, and you decrement a new elementary. it s going to hit the film festival circuit. it s going to fuel more 2020 speculation. somebody asked me what you want on the gravestone, neither is good or bad. dana: do you wonder why there s so much speculation? greg: if you do not want to
minister. it s the combination of the anti-semitism and the identity politics. and trying to expand the government controlled industries. in favor of taking over the rail, the broadband, the post office but this is a time where you have socialized medicine with wait times in emergency rooms at 15 year highs per that s our futu future. dana: not wanting to do a whole show on that. one other thing we want to get to come hillary clinton continues to overshadow twin 20s democrats, and you decrement a new elementary. it s going to hit the film festival circuit. it s going to fuel more 2020 speculation. somebody asked me what you want on the gravestone, neither is good or bad. dana: do you wonder why there s so much speculation?
do you have a woman like holding your hand at all? no. through my films is how i met and connected with other women. on the film festival circuit, in the independent film scene. i started to see that i was part of a small tribe of women filmmakers, even smaller tribe of black women filmmakers. and i started to feel very empowered. it s not even 10% of directors in hollywood are women. not even 10% are women of color. that s 90% of everything you watch on television and film being controlled, those images, those ideas, those scripts, the way the cameras move, the way that women dress, everything controlled by men. how do young, black girls grow up in a house like this and think, i can and i will? because they see it. they see issa, you know what i mean, they see me, jill solway, lynn shelton. they see these women doing it in a way that might not have been
very powerful connection for him when he was watching his daughter on the bridge direct a recreation of what happened that day. art has created some powerful moments for me. my father s gone on his to glory last year, but i just thank god that he saw that. her journey in film making hasn t been easy. who is helping you? do you have a woman like holding your hand at all? no, through my films is how i met and connected with other women. on the film festival circuit, in the independent film scene, i started to see i was a part of a small tribe of women filmmakers, even a smaller tribe of black women filmmakers. almost half aft women shooting on queen sugar right now are women i met on the film festival circuit, who i just vibed with. they were like me, trying to tell their stories in an independent space because