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Madame Claude movie review: Wearisome retelling of the French icon s rise and fall from grace

A still from ‘Madame Claude’   The biopic falls flat on its face, lacking the gravitas or attention to details necessary in painting a realistic cinematic portrait of this iconic woman Madame Claude’s notoriety as a brothel keeper for the Parisian elite was at its peak from the swinging 1960s to the mid-70s. The “Lady pimp of the nation” had among her star-studded clientele list, the likes of John F. Kennedy, Marlon Brando and the Shah of Iran. And yet, Sylvie Verheyde’s latest Netflix biopic on her decides to systematically peel away the layers of farcical glamour engulfing her life and persona, to reveal a personality that is in constant conflict with itself.

Review: Madame Claude

film profile] (the title of the new film by Sylvie Verheyde, which is based upon real events and is released worldwide on Netflix today), is at the wheel of a small yet prosperous business: 200 hand-picked, young women on behalf of whose charms Grudet negotiates, rubbing shoulders with members of the upper echelons who move within the high-level political and financial circles of the late Gaullist era. But proximity to power is a dangerous thing… (The article continues below - Commercial information) The film drops anchor in the wings of this shady world, where police protection can be obtained in exchange for information (short notes on ministers’ “deviant” sexual preferences, for example) and that of the Parisian milieu by way of envelopes stuffed full of banknotes and promises of long-term friendship (notably with Jo Attia, played by

What s On TV April 2 and 3: The Falcon And The Winter Soldier

What s On TV April 2 and 3: The Falcon And The Winter Soldier
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