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BBC Radio 3 - Radio 3 Lunchtime Concert, Edinburgh International Festival 2021, Patricia Kopatchinskaja and Fazil Say

BBC Radio 3 - Radio 3 Lunchtime Concert, Edinburgh International Festival 2021, Patricia Kopatchinskaja and Fazil Say
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Sentimental Work: Camille Thomas

Recording ‘Never Give Up’ with Stéphane Denève and the Brussels Philharmonic © Universal Music Performing the world premiere of Fazil Say’s cello concerto ‘Never Give Up’ in 2016 was one of the most emotional experiences I’ve ever had as a cellist. It’s mentally and physically demanding, as well as truly inspiring and moving. The genesis of the project was in 2014 when I first met Fazil at the Victoires de la Musique awards and he mentioned that he’d like to write a concerto for me. The next year, on 13 November 2015, a series of terrorist attacks took place in Paris, and a few weeks later there was a bombing in Istanbul. Fazil decided the concerto would be his response to these atrocities, and from that came the title. I think that, as a very politically engaged artist, he embodies the idea of refusing to give up, on his country, his opinions and his ideals, and I agree with his view that we musicians can stand up for those beliefs through our music. Art will a

The Strad February 2021 issue is out now

My Space looks behind the scenes in the workshop of Angers-based luthier Marcus Klimke; and in  Making Matters Ulf Kloo explains how to adjust the back thickness on an instrument that’s already been set up. We also bring you news of the latest products and auctions, plus our regular analysis and opinion columns, and comprehensive reviews of concerts, CDs and books. Simply go to the  current issue to explore the full content listing.  View more photos from the Royal Danish Opera’s production of The Magic Flute, conducted by Nikolaj Szeps-Znaider More from the workshop of Angers-based luthier Marcus Klimke in My Space

2020 in classical music: when Covid rained on Beethoven s birthday parade

2020 in classical music: when Covid rained on Beethoven s birthday parade The composer s 250th anniversary was a somewhat muted affair. But musicians – and more cautiously, institutions – refused to be silenced 13 December 2020 • 2:00pm Celebrations for Beethoven s 250th anniversary were muted by the pandemic   Credit:  Heritage Images The theme of classical music this year was meant to be ­triumph over adversity, as personified in the figure of Ludwig van Beethoven. The world’s concert halls had planned to spend the 250th anniversary of his birth ­staging Beethoven symphonies, sonatas, songs, trios and quartets. It was not to be. On March 15, at London’s Southbank Centre, the Philharmonia Orchestra conducted by Esa-Pekka Salonen recreated the four-hour concert of 1808 when Beethoven conducted no fewer than three new works and numerous others. It was magnificent and inspiring in its mad ambition. The next day, everything stopped.

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