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The sultry films Egyptian regimes never wanted you to watch

Netflix’s 'Perfect Strangers' caused a scandal in Egypt due to sexual content. But the persistent and systematic censorship of Egyptian films goes back to the early 1960s

Sex, murder and mayhem: the wild lives of Cairo s 1920s starlets

Skip the pyramids, hit the nightclubs: Badia Masabni with her cabaret troupe Credit: © Collection of Lucie Ryzova After the Revolution of 1919, when Egypt gained her sovereignty, the new kingdom bristled with possibility. Egypt was now, as one American jazz musician put it, “a country where the Egyptians reign, the English rule, and everybody does as he pleases”. By 1922, when Tutankhamun’s tomb was being uncovered in the Valley of the Kings, Cairo had become, says Raphael Cormack, “one of the most exciting cities in the world for anyone to spend the night in during the 20th century”. Those who enjoyed the Arabian Nights included businessmen, spies, émigrés, and activists from Germany, Poland, Italy, Argentina, Japan, England and Greece. If the 1920s roared louder in Cairo than in any other capital, the female entertainers roared loudest of all.

The dancehall divas who set the pace in Egypt s roaring 20s | Women

The dancehall divas who set the pace in Egypt’s roaring 20s Midnight in Cairo tells how the city’s vibrant nightlife was driven by female cabaret entertainers and club entrepreneurs Cairo entertainer and nightclub owner Badia Masabni, centre, with her troupe. Photograph: Courtesy of Lucie Ryzova Cairo entertainer and nightclub owner Badia Masabni, centre, with her troupe. Photograph: Courtesy of Lucie Ryzova Sun 2 May 2021 07.00 EDT The birth of the women’s movement in Egypt is not usually associated with music hall singers, dancers and actresses. But it was on the stages of theatres and nightclubs in Cairo, in the roaring 20s, that early feminists first asserted themselves, a new book will argue.

The dancehall divas who set the pace in Egypt s roaring 20s

The dancehall divas who set the pace in Egypt’s roaring 20s Donna Ferguson The birth of the women’s movement in Egypt is not usually associated with music hall singers, dancers and actresses. But it was on the stages of theatres and nightclubs in Cairo, in the roaring 20s, that early feminists first asserted themselves, a new book will argue. The capital’s biggest stars were independent, transgressive Arabic-speaking women who, in the 1920s, were seeking to redefine their place in the world, according to Raphael Cormack, the author of One example was Badia Masabni, who ran and owned one of the most famous cabarets in Cairo. “She was a well-known singer and dancer, so every night she would always perform. But she was also famous for going around the world finding other cabaret acts to bring in,” said Cormack.

Interview with Raphael Cormack, author of Midnight in Cairo : From dust to glory – the divas of Egypt s roaring 20s

-Aziz Street has become a cinema, while its shell is now used as storage for many of the shops around. Dubai of the 1920s: during the second half of the 19th century, Mohammed Ali’s grandson Ismail the Magnificent turned Azbakeya into Egypt’s modern nightlife and entertainment district, opening Egypt’s first opera house there in 1869, as well as other theatres and a circus. By the 1920s, Cairo was a boom town, full of new investment and new development – one of the most cosmopolitan places in the world If you walk along Emad al -Din Street, which in the 1920s was the main centre of action, you will still find several old theatres and cinemas from different time periods. One of them is the Naguib al-Rihani Theatre, formerly the Ramses Theatre, where Youssef Wahbi and his troupe used to play in the 20s and 30s. Many of these places are horribly run down. But in 2018, Cairo’s best modern art house cinema – Zawya – did relocate to one of the old cinemas on Emad Al-D

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