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Fear and transcendence in abstract painting - Artforum International

Poised and self-assured, James Little stands beside a pair of buckets, each filled with a different shade of black paint, in the Brooklyn studio where the artist has worked for three decades. The Memphis-born painter of absorbing abstractions whether hallucinatory monochromes or variegated, potpourri-like surfaces has been making all-black paintings for a decade, committing to each canvas for three or four months. In these works, contained geometries explode with nocturnal luminosity in concert with the viewer’s sways, and tightly orchestrated stripes play silent recitals of light, form, and

James Little s Constructed Abstractions

James Little s Constructed Abstractions
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