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HIVE MOVIE REVIEW

HIVE MOVIE REVIEW
shockya.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from shockya.com Daily Mail and Mail on Sunday newspapers.

Sundance Triple Winner Hive Chosen as International Oscar Contender From Kosovo

Sundance Triple Winner Hive Chosen as International Oscar Contender From Kosovo
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Sundance 2021: The 12 best fiction films we saw at the festival

Human Factors. Klemens Hufnagl/Sundance Institute This year’s Sundance Film Festival was like no other. Thanks to the ongoing pandemic, the usual red-carpet premieres were replaced by at-home streaming supplemented by screenings at a handful of small venues and drive-ins around the country. That’s not the way most attendees preferred to experience the movies, of course. But the festival’s 2021 selections were still true to the spirit of Sundance, which fosters independent cinema and innovative voices: They served up exciting stories from around the world, mostly of the kind that Hollywood often skips over. The fiction films that made it to Sundance in this weird year ranged from thrillers to dramas to heartwarming comedies; soon, many of them will be (or already have been) bought by distributors and streaming services.

Sundance 2021: Festival winners Summer Of Love and Hive

Alerts Sundance is ending exactly as it began: with the virtual equivalent of a standing ovation for the film that kicked off the whole fest. Last night, organizers handed out their annual Jury and Audience awards (the ceremony, naturally held via video chat this year, was hosted by Patton Oswalt), and to almost no one’s surprise, the big winner is Coda, Siân Heder’s unabashed crowd-pleaser about a teenager who’s the only hearing member of her family. Advertisement Coda, the first film that became available to watch through the fest’s virtual screening system last Thursday night, picked up both the Grand Jury Prize for U.S. Dramatic Feature (effectively, Sundance’s Best Picture) and the Audience Award for the same. This is actually fairly common at a festival where hype spreads like wildfire and jurors seem plenty susceptible to the readings of the invisible clap-o-meter that hangs over the Eccles Theater. (Last year,

Review: Hive

film profile], which has just world-premiered in the World Cinema Dramatic Competition at the Sundance Film Festival, tells the story of a lady in a small town who faces prejudice and uncertainty as she inspires the women in her community to take control of their own fate. Fahrije ( Yllka Gashi, a true discovery in her first feature-film role) is a woman in her thirties whose husband, along with many other men from the village of Krushë e Madhe (or Velika Kruša in Serbian), died – or went missing – in a massacre during the Kosovo War in 1999. She lives with her father-in-law, Haxhi (

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