now, some people don t like it. do you think you leave some people behind when you do this? yeah. probably we do, but also, we bring others along with us. and how far do you take it? you referenced arthur hughes, who is getting rave reviews for playing richard iii. and as you say, he s a richard iii who has a genuine disability, which is very visible on stage. and that is seen as sort of, quote unquote, authentic, a real lived experience. but how far do you take that? there s a real debate. there is. .across acting and across theatre and other forms of drama, saying do you now have to have a gay person playing a gay character? yeah. how far do you take lived experience? well, taking richard, the extraordinary thing about arthur s lived experience of disability he has radial dysplasia in his right arm is that when those insults land on richard, they re not landing on an actor wearing a prosthetic. they re. . . they re landing on an actor who, from birth, has lived with prejudice an
who is getting rave reviews for playing richard iii. and as you say, he s a richard iii who has a genuine disability, which is very visible on stage. and that is seen as sort of, quote unquote, authentic, a real lived experience. but how far do you take that? there s a real debate. there is. .across acting and across theatre and other forms of drama, saying do you now have to have a gay person playing a gay character? yeah. how far do you take lived experience? well, taking richard, the extraordinary thing about arthur s lived experience of disability he has radial dysplasia in his right arm is that when those insults land on richard, they re not landing on an actor wearing a prosthetic. they re. . . they re landing on an actor who, from birth, has lived with prejudice and sometimes with people underestimating him. deformed, unfinish d,
you referenced arthur hughes, who is getting rave reviews for playing richard iii. and as you say, he s a richard iii who has a genuine disability, which is very visible on stage. and that is seen as sort of, quote unquote, authentic, a real lived experience. but how far do you take that? there s a real debate. there is. .across acting and across theatre and other forms of drama, saying do you now have to have a gay person playing a gay character? yeah. how far do you take lived experience? well, taking richard, the extraordinary thing about arthur s lived experience of disability he has radial dysplasia in his right arm is that when those insults land on richard, they re not landing on an actor wearing a prosthetic. they re. . . they re landing on an actor who, from birth, has lived with prejudice and sometimes with people underestimating him.
iii who has a genuine disability, which is very visible on stage. and that is seen as sort of, quote unquote, authentic, a real lived experience. but how far do you take that? there s a real debate. there is. .across acting and across theatre and other forms of drama, saying do you now have to have a gay person playing a gay character? yeah. how far do you take lived experience? well, taking richard, the extraordinary thing about arthur s lived experience of disability he has radial dysplasia in his right arm is that when those insults land on richard, they re not landing on an actor wearing a prosthetic. they re. . . they re landing on an actor who, from birth, has lived with prejudice and sometimes with people underestimating him. deformed, unfinish d, sent before my time
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