L’Officiel, Willow shared that her mom got so much hate. It was intense racism and sexism, just packed onto the tens, she said
. People giving her death threats, throwing glass at her onstage. Some crazy stuff went down when she was touring with her band. Obviously, she was scared. But she really showed me what womaning up really was, by taking a stance and not being afraid of other people s judgments and perceptions. I really wanted to just go within that place in myself and try something new, regardless of what my insecurities were.
To
Face, Willow said she believes a lot has changed, but, even if it hasn t, I m just going to continue doing the work. That s what I m here for.
Willow Smith Unbothered by Hate From Rock Community
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An Interview With Elle Strauss On Bergdorf Goodman s Love Letters To New York
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Hires, Wins & Business 15 Add to collection
Carolina Markowicz and Somayeh Jafari join the agency whilst el Colony s owner Olga works on her debut feature
The year of the pandemic brought two new female filmmakers to the owned by women El Colony: Carolina Markowicz (Brazil) and Somayeh Jafari (UK).
Different in style and personality, both strengthen El Colony’s roster for international representation.
Strictly speaking, Carolina joined just before the pandemic, but as soon as news emerged from China, international travel was put on hold. During the past year, Carolina focused on local and remote work – the effortless, touching Volvo Potatoes ; a series of films for Skol bursting with party energy barely contained by lockdown, a fun-filled, all too familiar nightmare of small kids in lockdown for Facebook and her latest – Mercado Livre (Carolina’s reel). 2020 also brought her an international EMMY for Netflix TV series Nobody’s looking , where Carolina is a co-cre