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An exhibition dedicated to the Japanese-American musician in New York proves that, even in comparison to glitch masters like Aphex Twin and Autechre, Tone’s compositions are still radical today

New yorkUnited statesSan franciscoYasunao toneSuzanne fletcherChristian marclayAphex twinJohn cageMerce cunninghamDaniellea jacksonGeorge maciunasNam june paikYoko onoTexttaylor dafoeGroup ongakuExperimental intermedia foundation new york