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Weaponizing Photography: How European Fascists Manipulated the Masses Vanessa Rosso Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries, vis-à-vis display culture. The large-scale rallies of the 1930s fascists also became “images” to be experienced physically with others; they were so highly choreographed precisely in order to be consumed as images in films and in photographic outlets like magazines, posters, and pamphlets, but most effectively in large-scale exhibitions, and with little of the o

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