than we had seen it before. chris matthews has a question for you, mr. lipton. chris? talk about the technique, i m thinking when i look at him and think back on him now, that sort of italian movie from the 60s fatigue he had, the board of the it showed in his eyes. they weren t bedroom eyes, they were eyes of i ve been through too much of this. how does that fit in to the technique? is that him or the actor? what you re talking about is that i think he was an exestential hero. that was very much him, but at the same time he was creating every single minute that character tony soprano had. i go back over and over again to the fact that the man was a sublime actor. and i think he should get credit at that now at this moment when we have lost him. he was one of our best actors and he did it technically. he would study every show with