Urban clickbait? Why iconic architecture is all the rage again Rowan Moore
An image opens on my screen: a 2,000-seat theatre on the edge lands of Guangzhou, a territory of raw new towers and just-departed rural ghosts, designed to look like a swirl of red silk, imprinted with “tattoos” of phoenixes, cranes and other ornithology. It refers, goes the explanatory text, to Guangzhou’s historic role as “the birthplace of the silk road on the sea”. It is a declaration of something where there was formerly nothing, a three-dimensional advertisement for the colossal Sunac Wanda cultural tourism city of which it is part. I peer at the image – is it virtual or real? It’s real.