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It s Tom Stoppard s World and We Don t Live in It

It’s Tom Stoppard’s World and We Don’t Live in It Tom Stoppard in New York in 1974, when “Jumpers” opened on Broadway.Credit.Jack Manning/The New York Times Buy Book ▾ By David Ives By Hermione Lee In his early 20s, Tom Stoppard — rather like young Aladdin and his lamp — told his mother, “I’d like to be famous!” The lad in this case played genie to himself and made his own wish come true by pouring out, over more than five decades, a glistening stream of gloriously articulate, brilliantly intricate plays. A fulfilling home and social life seems to have accompanied the wished-for fame. An early unhappy marriage gave way to two much jollier ones, there’ve been terrific children, grouse shooting and rare-book collecting, friendship with Mick Jagger and cricket with Harold Pinter, the whole unimaginable public and private sundae topped off in 1997 by a knighthood. Over the course of his extraordinary life — he’s

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