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Transcripts for CNN See It Loud The History of Black Television 20240604 02:32:45

Transcripts for CNN See It Loud The History of Black Television 20240604 02:32:45
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Transcripts for CNN See It Loud The History of Black Television 20240604 02:33:00

from what america had been like in the 1960s and 1970s. the economy was booming. judge: congratulations sir. ethan alter: .as the reagan era took hold, there was a rise in conservative values. patrick gomez: we saw american audiences losing interest in socially relevant sitcoms, and really the sitcom started to die away. gerrad hall: dramas had really taken over, those soaps were so big: dynasty, dallas, magnum p.i. patrick gomez: and so you saw the family sitcom really strived to find a new identity. alex: i can t believe you guys can watch this, you look ridiculous. sarah rodman: family ties has one of the great premises in sitcom history. steven: half a million people trying to stop a senseless war. you find that ridiculous? alex: i m talking about the outfits. sarah rodman: these two flower children from the 60 s, grow up and then in the 80 s suddenly find themselves with this young republican son.

Transcripts for CNN See It Loud The History of Black Television 20240604 02:24:00

john lithgow: it was jaw dropping. it was funny, but it was very challenging, and you realized norn lear is taking us into a whole new realm of comedy. norman lear: the blowback from the public was buried by the excitement and the applause. bob leszczak: the show was number one for a long time. ethan alter: it changed cbs and their brand as a network. as a result of all in the family, they turned to norman lear to create more shows in that image. archie: there s a person at the door. maude! adrienne barbeau: bea arthur played maude as edith s cousin on all in the family. maude: maudie is here. jim colucci: and she could take on archie head to head. maude: now you can either come to the table and eat, or you can lie there and feed off your own fat. jim colucci: the story goes that by the time that episode

Transcripts for CNN See It Loud The History of Black Television 20240604 05:39:00

we don t really have to go to a recital, do we? ethan alter: and they wound up going in a completely opposite direction. sort of the anti- in a way, the anti-family sitcom. al: now bud, apologize to your sister. bud: no. al: okay. anita sarkeesian: married with children is full of trash people that do horrible things and say horrible things. al: quiet you morons! paul reiser: you were always aware they were just wise guys, you know, zinging each other. al: peg, how could you sell the family playboys? jacqueline coley: looking back on it now, i don t know how that show stayed on air. kelly: is this okay, mom? i haven t worn it since grandma s funeral. jim colucci: married with children helped put fox on the map. ethan alter: this idea of a darker family presentation spoke to people who were bored with what the main family sitcoms were offering at the time. al: family before you go, would you bring old daddy s shot gun and stand close together?

Transcripts for CNN See It Loud The History of Black Television 20240604 05:33:00

ethan alter: the 1980s were a radical transformation from what america had been like in the 1960s and 1970s. the economy was booming. judge: congratulations sir. ethan alter: .as the reagan era took hold, there was a rise in conservative values. patrick gomez: we saw american audiences losing interest in socially relevant sitcoms, and really the sitcom started to die away. gerrad hall: dramas had really taken over, those soaps were so big: dynasty, dallas, magnum p.i. patrick gomez: and so you saw the family sitcom really strived to find a new identity. alex: i can t believe you guys can watch this, you look ridiculous. sarah rodman: family ties has one of the great premises in sitcom history. steven: half a million people trying to stop a senseless war. you find that ridiculous? alex: i m talking about the outfits. sarah rodman: these two flower children from the 60 s,

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