american, filipino, vietnamese, thai, samoan, bangladeshi. everybody has left their mark, continues to shape the town, determine its character. k-town exists upside its latino neighbors and i guess it s natural that both choe and choi identity very much with mexican street culture. few things embody that particularly southern california latino street culture more than low riding. esteban is a photographer, chronicler of everything iconic at the crossroads of hip-hop, design, tattooing, fashion and low-riding. the old-timers, they used to cut the coils or put sandbags in their truck to make them lower. then around the 70s is when they got popular.
and what is l.a.? l.a. is mexican, central american, filipino, vietnamese, thai, samoan, bangladeshi. everybody has left their mark, continues to shape the town, determine its character. k-town exists upside its latino neighbors and i guess it s natural that both choe and choi identity very much with mexican street culture. few things embody that particularly southern california latino street culture more than low riding. esteban is a photographer, chronicler of everything iconic at the crossroads of hip-hop, design, tattooing, fashion and low-riding. the old-timers, they used to cut the coils or put sandbags in
thai, samon samoan, bangladeshi. everyone has left their mark, continues to shape the town, determines its character. k-town exists upside its latino neighbors and i guess it s nature that both choe and choi identify very much with mexican street culture. few things embody that particularly southern california latino street culture more than low riding. esteban is a photographer, chronicler of everything iconic at the crossroads of hip hop, design, tattooing, fashion, and low riding. the old timers used to cut the coils or put sandbags in their trunks to make them lower and around the 70s they got popular. why these particular models? pretty much always been the late 50s all the way through the 60s and into the 70s and
nature that both choe and choi identify very much with mexican street culture. few things embody that particularly southern california latino street culture more than low riding. esteban is a photographer, chronicler of everything iconic at the crossroads of hip-hop, design, tattooing, fashion and low-riding. the old-timers, they used to cut the coils or put sandbags in their truck to make them lower. then around the 70s is when they got popular. why these particular models of cars? it s pretty much always been late 50s all the way through
also very much creatures of l.a. and what is l.a.? l.a. is mexican, central american, filipino, vietnamese, thai, samoanian, bangladeshi. everyone has left their mark, continues to shape the town, determines its character. k-town exists upside its latino neighbors and i guess it s nature that both choe and choi identify very much with mexican street culture. few things embody that particularly southern california latino street culture more than low riding. esteban is a photographer, chronicler of everything iconic at the crossroads of hip hop, design, tattooing, fashion, and low riding.