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Tomás Esson’s Erotic Politics At David Lewis, New York, a presentation of the artist’s recent paintings and drawings reveals his continued obsession with sexual imagery and socialist Cuba The Cuban artist Tomás Esson hasn’t shown in New York in over a decade; his last solo outing in this city was in 2011 at the now-defunct Ramis Barquet – a gallery that specialized in contemporary Latin-American art. This spring, however, at David Lewis, Esson returns to Manhattan with the solo exhibition ‘KRAKEN’ – an extensive overview of his more recent painting and drawing. The show also coincides with the artist’s 30-year career retrospective, ‘The GOAT’, at the Institute of Contemporary Art Miami. Both exhibitions were organized by Gean Moreno – ICA Miami’s curator of programmes – who neatly positions ‘KRAKEN’ as a bookend to ‘The GOAT’, presenting works that culminate in the artist’s most iconic and explosive visual play of whirling sh

United statesNew yorkCiudad de la habanaRobert colescottChe guevaraFrancis baconDavid lewisGean morenoHans bellmerRamis barquetA tarro partidoFidel castroEsson retratoInstitute of contemporary art miamiContemporary artInstituto superior de arte