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The Converging Pasts of Leslie Epstein | Arts | The Harvard Crimson

Many writers struggle to discern the beginning of a story. For novelist Leslie D. Epstein’s latest project, this challenge takes on added significance. Though much of his work has dealt extensively with the tribulations of history, Epstein’s newest story takes that exploration to another level. In his novel “Hill of Beans: A Novel of War and Celluloid,” Epstein is not merely examining a national history he is also examining his very own. “I think I’ve been working on this for ten years and in some ways, all my life,” he says. “Hill of Beans” weaves multiple voices many of which are those of historical figures including Stalin, Hitler, and former Warner Bros. Vice President Jack L. Warner to craft a nuanced portrayal of Hollywood’s movers and shakers on the eve of World War II. Epstein calls the novel a “combination of dual themes” that run through his literary body World War II and the Holocaust, and Hollywood.

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