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Une compagnie d opéra britannique se sépare de 14 musiciens blancs pour accroître la diversité
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London Rising: How the arts can build back better post-lockdown
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What’s next for opera and classical music: digital concerts and intergenerational war
Continuing our series on the future of culture post-Covid, our classical critic looks at a new drive for localism amid the effects of Brexit
9 March 2021 • 5:00am Audiences will still want to see great artists in the flesh , such as Anna Netrebko, pictured in La forza del destino in the ROH in 2019
Credit: Robbie Jack/Corbis/Getty
Classical music and opera in Britain have faced crises before – two world wars, plagues, government bans during the Cromwellian period – but never anything as bad as the effects of Covid-19. And yet, long before the pandemic struck, these ancient and inherently traditional artforms were already in difficulties.
A young man eaten up by fears of inherited disease, a mother who hid the facts of her awful marriage from her son to spare him, but is rewarded with even worse pain: the emotional plotlines of Henrik Ibsen’s Ghosts are huge. While the plot ticks off. Read more.
Barbara Monday, 24 September 2012 For a remarkable BBC Radio Four half-hour programme broadcast on 14 September, The Stasi Jigsaw Puzzle, Chris Bowlby pieced together tales of treachery in the former German Democratic Republic. At one point a 1950s recording of a trial of a woman. Read more. As an art school the Bauhaus has a reputation for being the cradle of modernism, famous for establishing an alliance between art and industry which produced enduring design classics such as Marcel Breuer’s tubular steel chairs, Josef Albers’ silver.
Northern Stage announces new season in response to Covid-19 pandemic
Newcastle theatre introduces This Is Us with its new artistic director leading its response to the world we live in
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