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Before The First Omen, Director Arkasha Stevenson Scared Us With This Horror Series

Before The First Omen, Director Arkasha Stevenson Scared Us With This Horror Series
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The Caretaker s An Empty Bliss Beyond This World Turns 10: How the Haunted Ballroom Defined a Generation

We found the greatest: Everywhere at the End of Time

Imagine yourself deep into the future. You have retired from your job and you spend most of your days reminiscing about the past experiences of your childhood. Everything from your first kiss, getting married and having your first kid is still explicit in your mind. Now, imagine yourself seven years later.  Your thoughts reverberate within a thick fog of confusion and horror. Your brain collapses upon itself to the point where you can’t even remember yourself, who you are, your family or your children. You become lost in an endless field of unrecognizable thoughts as dementia drags you down into a pit of emptiness.

Folk guitarist Nathan Salsburg makes experimental soundscapes from old Jewish phonograph records

Folk guitarist Nathan Salsburg makes experimental soundscapes from old Jewish phonograph records Nathan Salsburg in a barn on his property, which also functions as his office. (Joan Shelley) Advertisement (JTA) Folk musician and record archivist Nathan Salsburg lives on a 40-acre former tree farm in his hometown of Louisville, Kentucky, with fellow songwriter Joan Shelley. Shelley is not Jewish, but she and Salsburg who has a complicated relationship with his Jewishness dating back to childhood began observing Shabbat in the last year.  “We don’t turn everything off,” Salsburg jokes. “But we light the Shabbat candles and say Hamotzi and drink wine. We’d like to keep it going. But I don’t really have any Jewish community to speak of.”

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