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Liz Pahl spotlights Nina Simone, Lucy Dacus, and more in her year end suggested listening list

It's that time of year again! WOUB Culture has reached out to a variety of folks involved in various capacities with the music and arts throughout WOUB's diverse coverage region to inquire: "what have

'Minari': Listen to 2 Tracks From the Korean American Family Drama (Exclusive)

Minari : Listen to 2 Tracks From the Korean American Family Drama s Score (Exclusive) TheWrap 1/27/2021 © TheWrap Minari Minari, the acclaimed drama that won top prizes at last year s Sundance Film Festival, is a memory piece based on director Lee Isaac Chung s own childhood. Starring Steven Yeun and Yeri Han as Jacob and Monica, the parents of a Korean-American family in 1980s Arkansas, the film is a tough, poetic capture of life, told with an absence of narration or obvious lesson-learning. Among the film s many unique qualities is its beautifully woven and imaginative musical score by fast-emerging composer Emile Mosseri ( Kajillionaire, The Last Black Man in San Francisco ). Two tracks from the soundtrack can be listened to below. Mosseri, who s a member of the band The Dig and looks a bit like 1970s-era Lou Reed, was greatly moved by reading Chung s screenplay and meeting with the filmmaker. The movie is both specific to Korean American experience in the 80s,

'Minari': Listen to 2 Tracks From the Korean-American Family Drama

The story’s universality made an impact on the score’s musical cues. “We didn’t want to have stylistic influences in the score in any sort of calculated way,” Mosseri explained. “There are some subtle ’80s elements baked into the orchestral tapestry of the sound, but we didn’t want to have an ’80s synth score. And we didn’t want to have a traditional Korean score. And we didn’t want to have a twangy Americana, acoustic guitar score, just because it takes place on a farm.” He continued, “We wanted to find something that’s not hitting the subject of the film on the nose. So it was more about the music connecting to the story emotionally rather than geographically.”

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