their father used to be a driver with a foreign company. it shut down when the taliban took over. war injured him, too. translation: my baby has no cradle. i sold it to buy some flour. if there s no other way, i would be forced to sell my children to survive. agonising choices. that s life in afghanistan now. a dire situation, lyse, but where is the hope? a dire situation, lyse, but where is the hoe? . ., a dire situation, lyse, but where is the hoe? . . , , ., , the hope? afghan and british history has been so the hope? afghan and british history has been so entwined the hope? afghan and british history has been so entwined over the hope? afghan and british history has been so entwined over centuriesj has been so entwined over centuries that it s not for us to say that country has gone dark. there is always light if you look for it. where will you find it? when you go to afghanistan, many senior taliban tell us they don t like these extreme edicts and they would like them
alex: well, how do i look? steven: middle aged. michael gross: it was about the clashes between two generations. steven: you re a young man, you shouldn t be worried about success. you should be thinking about hopping on a tramp steamer and going around the world. alex: the 60 s are over, dad. steven: thanks for the tip. gerrad hall: family ties is a reversal in many ways of all in the family, except now you have the liberal parents and the conservative child. elyse: this morning i found a copy of the wall street journal under his bed. steven: you think maybe he was switched at birth and the rockefellers have our kid? meredith baxter: michael was just wonderful. he was young and energetic and he had such good timing. alex: who did this? michael gross: we started rather slowly, nbc was moving us around a little bit, trying to find the right place for us. jim colucci: family ties pumped a little bit of life into the family sitcom, but the sitcom in general
grow up and then in the 80 s suddenly find themselves with this young republican son. alex: well, how do i look? steven: middle aged. michael gross: it was about the clashes between two generations. steven: you re a young man, you shouldn t be worried about success. you should be thinking about hopping on a tramp steamer and going around the world. alex: the 60 s are over, dad. steven: thanks for the tip. gerrad hall: family ties is a reversal in many ways of all in the family, except now you have the liberal parents and the conservative child. elyse: this morning i found a copy of the wall street journal under his bed. steven: you think maybe he was switched at birth and the rockefellers have our kid? meredith baxter: michael was just wonderful. he was young and energetic and he had such good timing. alex: who did this? michael gross: we started rather slowly, nbc was moving us around a little bit, trying to find the right place for us.
steven: you re a young man, you shouldn t be worried about success. you should be thinking about hopping on a tramp steamer and going around the world. alex: the 60 s are over, dad. steven: thanks for the tip. gerrad hall: family ties is a reversal in many ways of all in the family, except now you have the liberal parents and the conservative child. elyse: this morning i found a copy of the wall street journal under his bed. steven: you think maybe he was switched at birth and the rockefellers have our kid? meredith baxter: michael was just wonderful. he was young and energetic and he had such good timing. alex: who did this? michael gross: we started rather slowly, nbc was moving us around a little bit, trying to find the right place for us. jim colucci: family ties pumped a little bit of life into the family sitcom, but the sitcom in general had been pronounced dead. there were very few on the air. and then all of a sudden comes the cosby show in 84.