favour. take my word for it. i know that some other. . . that some other. there is a difference that some other. there is a difference of that some other. there is a difference of opinion. - that some other. there is a difference of opinion. that sl that some other. there is a - difference of opinion. that s fine. it s ve difference of opinion. that s fine. it s very simple- difference of opinion. that s fine. it s very simple- i m difference of opinion. that s fine. it s very simple- i m right - difference of opinion. that s fine. it s very simple- i m right and - it s very simple i m right and they re wrong. elvis is a master at peace. are you elvis fan?- they re wrong. elvis is a master at peace. are you elvis fan? yes, how can not be? peace. are you elvis fan? yes, how can not be? the peace. are you elvis fan? yes, how can not be? the more peace. are you elvis fan? yes, how can not be? the more you - peace. are you elvis fan? yes, how can not be? the more you like -
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life is clearly event filled. i thought that they did the 50s, 60s and 70s as first act, second act, third act of a kind of shakespearean tragedy rather well. yes, yes. i think there are shakespearean elements in that character of colonel tom parker. i think you really get a sense of the relationship being built on duplicity and complicity. after they strike the deal on the ferris wheel, elvis does agree. he says, ok, i m going to make you a star, and elvis says 0k. and it was always a thing that he did do that. he did tonnes of other terrible things at the same time, but i think that tom hanks doesn t fall into just playing him as a villain. i mean, you can read journalistically about colonel tom parker but the question about the way in which their relationship works, i think the film sustains it, because you never really. it s notjust like, well, he s terrible and he s bad and elvis is good. i think it s much more complicated. it is more complex than that.
i think there are shakespearean elements in that character of colonel tom parker. i think you really get a sense of the relationship being built on duplicity and complicity. after they strike the deal on the ferris wheel, elvis does agree. he says, ok, i m going to make you a star, and elvis says 0k. and it was always a thing that he did do that. he did tonnes of other terrible things at the same time, but i think that tom hanks doesn t fall into just playing him as a villain. i mean, you can read journalistically about colonel tom parker but the question about the way in which their relationship works, i think the film sustains it, because you never really. it s notjust like, well, he s terrible and he s bad and elvis is good. i think it s much more complicated. it is more complex than that. i suppose i wanted a few questions answered, but there are lots and lots of things i love about it, i love about it. i probablyjust don t love it as much as you. but that would be hard. yeah,
luhrmann. and the first hour went in the blink of an eye, in a good way. by the end, i won t lie, i did say to someone, oh, it s too long. it s two hours a0 and i m afraid ijust think it s too long, because it is sort of the same thing over and overfor two hours a0. is it? that s how it felt. and i think. did i come at it from a more journalistic perspective? but i wanted to know a lot more about the tom hanks character because there s something so peculiar about tom parker. about colonel tom parker, who is neither a colonel, nora tom, nora parker. exactly, but a lot of those questions about him don t get answered. there s a brief reference to the fact that he doesn t have a passport is he really american? all those sort of things but there was so much, i was going, well, tell me more! this is really interesting! and you neverfind out, so i struggled with that. i would say to counter that, it s amazing that they got as much of elvis s life as they did into two hours 20 minu
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