THIS MONTH, a year to the day since the release of their debut album, the trio of Fred Moten (poet), Brandon López (bassist), and Gerald Cleaver (drummer) came to London for a weekend residency at Café Oto. Recorded during the Covid pandemic at New York’s GSI studios and released on the Reading Group label, the group’s self-titled album exemplifies what Anthony Reed, in his book Soundworks, has called “phonopoetics,” a more capacious term than previous indicators like “jazz poetry.”During its flourishing from what Reed calls the “Long Black Arts Movement,” peaking in the ’60s, the phonopoem has