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Lynks: tongue-in-cheek queer bangers for the others

Lynks: providing the mystery for 2021. Credit: @pappedbypercy Before he was Lynks, Elliott Brett was trying to be capital-S Sad. His music from this period, released under his own name before he transformed into a self-described ‘masked drag monster’, has been variously recounted as indie-pop, dream-pop, and folk. The thought is somewhat baffling to anyone who’s seen him in his latest iteration – his new EP, ‘Smash Hits Vol. 2’ is far more Peaches than Passenger. Of his past life, Lynks says the folk label is “the least correct”. “It was me desperately, desperately wanting to be James Blake. was just doing a very poor impression of him,” he laughs. In some ways, it’s the usual queer origin story. Try on something you think is right, realise it doesn’t fit, then shed it and flourish.

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