Water has long been an element of Bryce McGuire’s art. Lovedream, the landmark 2010 folk-pop album from his band Grecian Urns is rife with allusions to it, including descriptions of redfish prowling the glistening Loxahatchee River. The director and screenwriter’s 2013 Southern short “Jesus Fish,” a story about a would-be religious con artist and the community around him, takes place on a bioluminescent Tennessee lake.
The cycle has begun again. Just as we’re slowly taking stock and assessing the latest remnants of the film year just past, 2024 starts up like every year before
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