What a season for seeing contemporary ceramics in New York. Works by Eiji Uematsu, Edmund de Waal, and Ken Price are all being displayed simultaneously, while Grounded in Clay at the Metropolitan Museum celebrates the history and practice of Pueblo pottery from its origins to the present day. And at Salon 94, Myrtle Williams’s first solo show in New York has immediately added her to this list of masters of the medium.
Helmed by its first non-Western director, the visionary Bonaventure Soh Bejeng Ndikung, the historic American-gifted building is being rethought from the ground up.
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