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Pimple and the Tramp: Fred Evans fickle fortunes
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Chips Channon s diaries can read like a drunken round of Consequences
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âI am NOT going to write my memoirs!â: Gloria Swanson talks pictures
In this classic interview with Rui Nogueira from our Spring 1969 issue, the great Gloria Swanson is on majestic form as she reflects on a storied life spent as one of the greatest stars of Hollywoodâs Golden Era â a time before the pictures got small.
19 February 2021
Sadie Thompson (1928)
Acting is a very strange word. I guess everyone is acting all of their lives â lawyers, doctors, people who donât even realise that theyâre acting. âAll the worldâs a stageâ and everybody is acting in it.
So, what is acting? Iâve thought about it a great deal. Some people go through a career just playing themselves. Like Tallulah Bankhead was always Tallulah Bankhead, no matter what she played, with the exception of one performance: in The Little Foxes. There she wasnât Tallulah, she was the character. I would say that Cary Grant is always Cary Grant. Heâs
Kedleston Hall is a Georgian jewel a few miles north of Derby built to rival Chatsworth. Its 18th-century Palladian facade and neoclassical architecture and parkland are just as impressive and it is one of the National Trust’s most popular visitor sites.
It was always the wish of its former owner Lord Curzon, a Viceroy of India and a nearly Prime Minister, that his childhood home, more a palace to showcase his exquisite collection of paintings, artefacts and furniture, should be opened up to the public.
And it was duly handed over by his heirs in 1987, 62 years after his death in 1925. By some distance he has been the most generous of benefactors to the National Trust two of his other historic properties, Tattershall Castle in Lincolnshire and Bodiam, in East Sussex, were bequeathed to the nation, along with provision for their maintenance. He also restored the Elizabethan mansion Montacute in Somerset, which the Trust also took over.
The Last Picture Show) Bogdanovich s first film in eight years. Assembled on that fateful voyage were Hearst, his mistress Marion Davies, Hollywood s own little tramp (in more ways than one) Charlie Chaplin, and assorted film people, gossip columnists and Hearst minions – a recipe for raucous times, and in this case, an unexplained disappearance. Adapted by Steven Peros from his stage play,
The Cat s Meow embraces rather than betrays its origins. While it may be slow, it is lifted by the playwright s attention to atmosphere, the script and the obligatory charleston.
Supplied Evoking scenes and ideas from Shakespeare s
Othello, Peros and Bogdanovich manage to skilfully mix the building tension with the frivolity of 1920s Hollywood (including the worst table-tennis match ever committed to celluloid).
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