As a peasant boy, he ended up in the Imperial Theater, went to work as an errand boy in the workshop, which was in charge of the chief artist, and he was fyodor waltz. And from 16 to 30 years old he turned into an artist performer. He did not have any special education. Lets say, the lists of those who served in the Imperial Theater simply werent preserved over the years; lets say, on one of his trips to western europe, grenev was actually lucky enough to buy a painting by davinci himself, which would become the pearl of the collection. And it is absolutely clear that this is with leonardo, but she was not standing next to her, but this does not mean that this is a madonna with a book and a child, that she is generally bullshit, perhaps these are some kind of repetitions. Or some kind of leonardo school. Larisa apolonovna draws attention to drawing the landscape that can be seen in the window. Well, if there is an abstract landscape with distances, mountains, generalized there and so o
Was already an educated art historian, in addition, i was involved in restoration, worked in the garbarev workshops, then i began to have doubts, this is the biggest problem of this. Larisa apollonovna carefully studied the history of the family, the molev belyutins, and more than once drew attention to the fact that many facts from the biography cannot be documented. This. For example, they write that grinev is not on any lists, this theater is not one can still see the version that grenevs grandfather, who stands at the origins of this collection, is a fictional character, does not seem convincing, especially since nina molevas stories contain so many details from the life of the legendary relative, for example, the story of how a simple peasant boy he ended up in the Imperial Theater, went to work as an errand boy in the workshop. Which was in charge of the main artist, and he was fyodor waltz. From 16 to 30 years old he turned into a performing artist; he had no special education.