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São Paulo s Pinacoteca Mounts a Challenge to Bolsonarista Politics

ArtReview A room devoted to self-portraiture at Pinacoteca de São Paulo. All images: Levi Fanan. Courtesy Pinacoteca de São Paulo Arts institutions formulate a rebuke to the conservative forces currently wreaking havoc in Brasilia – and scrutinise their own historic complicity The leaders of Brazil’s state-funded arts institutions have found themselves in a bind ever since Jair Bolsonaro’s far-right presidency began at the start of 2019. Art was, or at least until the pandemic and Amazon fires took over the political agenda, an easy target for the president and his supporters, who found it tender prey in the politically expedient culture wars they are fond of whipping up, either picking up on its cost to the public purse or presenting work involving nudity as offensive to Christian morality. In one respect it has been an unfair battle, with the directors and curators of the institutions under attack, who might normally be among the first to defend the importance of ar

Modern Art and Mendes Wood DM open two concurrent exhibitions devoted to Eleonore Koch

Modern Art and Mendes Wood DM open two concurrent exhibitions devoted to Eleonore Koch Interior with yellow chair - blue, 1987. Tempera on canvas, 73 x 99.7 cm. 28 3/4 x 39 1/4 ins © the Estate of Eleonore Koch. Courtesy Modern Art, London; Almeida e Dale, São Paulo; Mendes Wood DM, New York and Orandi Momesso Collection. by Kiki Mazzucchelli LONDON .-Modern Art, London and Mendes Wood DM, New York are presenting two concurrent exhibitions devoted to German-Brazilian painter Eleonore Koch (1926-2018) curated by Kiki Mazzucchelli. The exhibitions will bring together a group of works produced from the late 1960s, when the artist established herself in London, to the 1990s, upon her return to São Paulo.

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