BRUSSELS For art aficionados, she's a Blue Woman featured in dozens of French artist Yves Klein's "Anthropometries" conceptual paintings of nudes achieved by daubing models in blue paint and having them press their bodies on paper.But Elena Palumbo-Mosca rejects being called Klein's "living paintbrush". She sees herself as an artistic "collaborator" who played a key part
BRUSSELS For art aficionados, she's a Blue Woman featured in dozens of French artist Yves Klein's "Anthropometries" conceptual paintings of nudes achieved by daubing models in blue paint and having them press their bodies on paper.But Elena Palumbo-Mosca rejects being called Klein's "living paintbrush". She sees herself as an artistic "collaborator" who played a key part
PARIS, Jan 8 For art aficionados, she’s a Blue Woman featured in dozens of French artist Yves Klein’s Anthropometries conceptual paintings of nudes achieved by daubing models in blue paint and having them press their bodies on paper. But Elena Palumbo-Mosca rejects being called.
For art aficionados, she's a Blue Woman featured in dozens of French artist Yves Klein's "Anthropometries" conceptual paintings of nudes achieved by daubing models in blue paint and having them pr…